Detail - Bomen bij valavond, 1924
       
     
Domino – Witte kapmantel, 1912
       
     
Marieke Van Nieumeghen, 1917 - 1918
       
     
Het park te Oostende, 1922
       
     
Stilleven met bloemen, 1923
       
     
Bomen bij valavond, 1924
       
     
Hoeve langs de Gistelse Steenweg in Oostende, 1930
       
     
Hoeve langs de Gistelse Steenweg in Oostende, 1930
       
     
Stilleven met appels, 1933
       
     
Detail - Bomen bij valavond, 1924
       
     
Detail - Bomen bij valavond, 1924

(FR) Détail - Arbres à la nuit tombante, 1924


Léon Spilliaert - Biography


Spilliaert (1881 - 1946) was born in Ostend, the oldest of seven children of Léonard-Hubert Spilliaert, who was a perfumer, and Léonie (née Jonckheere). From childhood he displayed an interest in art and drawing. A prolific doodler and autodidact, he was predominantly a self taught artist. Sickly and reclusive, he spent most of his youth sketching scenes of ordinary life and the Belgian countryside.

When he was 21 he went to work in Brussels for Edmond Demon, a publisher of the works of symbolist writers, which Spilliaert was to illustrate. He especially admired the work of Edgar Allan Poe.

Watercolor, gouache, and charcoal were the means by which he produced much of his best work, including a number of self-portraits executed in black crayon in the early years of the twentieth century. A significant influence on Spilliaert was Odilon Redon, whose expressive use of black finds parallels in his own work.

Frequently depicting a lone figure in a dreamlike space, Spilliaert's paintings convey a sense of melancholy and silence. His later work shows a concentration on seascapes. He died on November 23, 1946 in Brussels.

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Domino – Witte kapmantel, 1912
       
     
Domino – Witte kapmantel, 1912

0ost-Indische inkt, gouache op karton.
Op keerzijde authentificatie door Mevr. Madeleine Spilliaert, dochter van de kunstenaar.
Afm.: 56 x 40 cm
Afkomst: één van de kleinkinderen van Léon Spilliaert
Irmingarde Van Rossum, Brussel

Marieke Van Nieumeghen, 1917 - 1918
       
     
Marieke Van Nieumeghen, 1917 - 1918

Watercolor, colored chalk and pencil.
Dimensions: 38 x 56,5 cm
Signed lower right.

Het park te Oostende, 1922
       
     
Het park te Oostende, 1922

Aquarel en gouache op papier
Dimensions: 71 x 89 cm
Tentoonstelling: Campo te Deurle 1979
Museum D’hont – Dhaenens
Signed and dated lower left.

Stilleven met bloemen, 1923
       
     
Stilleven met bloemen, 1923

(FR) Nature morte aux fleurs

Aquarel en gouache.
Dimensions: 49 x 60 cm
Signed and dated upper left.

Bomen bij valavond, 1924
       
     
Bomen bij valavond, 1924

(FR) Arbres à la nuit tombante, 1924

Technique: oil on canvas
Dimensions: 100 x 75 cm
Signed lower right, dated lower left.

Hoeve langs de Gistelse Steenweg in Oostende, 1930
       
     
Hoeve langs de Gistelse Steenweg in Oostende, 1930

(FR) Ferme longeant la Gistelse Steenweg à Ostende

Aquarel op papier - Watercolor on paper.
Dimensions: 28,5 x 39,5 cm
Signed lower right - Dated lower left.

Hoeve langs de Gistelse Steenweg in Oostende, 1930
       
     
Hoeve langs de Gistelse Steenweg in Oostende, 1930

(FR) Ferme longeant la Gistelse Steenweg à Ostende

Aquarel op Papier - Watercolor on paper.
Dimensions: 28,5 x 39,5 cm
Signed and dated lower right.
Cat. Vie et oeuvre p. 102

Stilleven met appels, 1933
       
     
Stilleven met appels, 1933

(FR) Nature morte représentant des pommes, 1933

Watercolor on paper.
Dimensions: 33 x 49 cm
Signed lower right, dated lower left.